StoryFest: International Storytelling Festival Singapore
with the support of National Arts Council Singapore
A visual storytelling exhibition by Zarina Muhammad (SG)
Recommended for audience above 10 years old. All children must be accompanied by an adult.
The exhibition takes its title from John Gimlette’s 1915 text ‘Malay Poisons and Charm Cures’ where he writes, “Malay women are generally held to be the accredited agents, at any rate, in many cases of poisoning, because naturally the cooking is left almost entirely to them.” Composed from speculative histories, embodied experiences, folkloric narratives and shapeshifting conjectures, this installation speaks of and to the mythologies and cultural histories of women standing between life and death, fate and agency, healing and killing, magic and mayhem, the monstrous and the murderous. Through revisiting myths of women from and beyond the Nusantara, this work intends to respond to and problematise the tropes and archetypal representations of certain gendered bewitching and bewitched non-conforming bodies that have been demonised and (dis)enchanted through time.
About Zarina Muhammad
Zarina Muhammad is an arts practitioner, educator and independent researcher based in Singapore. She lectures mostly on contextual studies and art/critical theory with a focus on the cultural histories of Southeast Asia at LASALLE. Currently, Zarina is working on an ongoing multidisciplinary research and performance project on cultural translations pertaining to Southeast Asian ritual magic, sacred sites and the tracing of mythological roots of the feared, desired and revered (supernatural) body across the region.
Her series of often collaborative and performance-based works deconstruct and aim to confront histories, texts, definitions, and (mis)representations associated with these bodies of knowledge and polycosmologies. In the various incarnations of her work, she is particularly interested in the broader contexts of myth-making, gender-based archetypes and the region’s tenuous shape-shifting relationship to mysticism and the immaterial against the dynamics of global modernity.
In 2018, she was nominated as one of the President’s Young Talents and exhibited her work ‘Pragmatic Prayers for the Kala at the Threshold’ at the Singapore Art Museum. In addition to performing at Institute of Contemporary Art Singapore (ICAS), NTU Centre of Contemporary Art (CCA), The Substation and Objectifs Centre for Photography and Film, she has also presented her work in Indonesia, Cambodia, Japan, Hong Kong, Malaysia, Thailand, Taiwan and Australia.
ABOUT STORYFEST 2019
Presented by The Storytelling Centre Limited and The Arts House, StoryFest is an annual festival that celebrates and showcases a variety of styles, repertoire and cultural arts presentations of storytelling from Singapore and around the world. With the theme of ‘Make Believe’, StoryFest 2019 invites audiences to be open to new experiences and to allow their imagination to soar as they listen to stories that are beyond belief.
For the full line-up for the festival, visit https://storyfestsg.com/2019
Credits: StoryFest 2019
21 – 23 June 2019
Fri – Sun
11 AM – 8 PM daily
Free with registration